Here we are at Have A Word… L to R Peter Daniels, who read an epic porny poem of yesteryear and yo ho ho and a bottle of rum, Ellis Collins, the promoter and envisioneer of HAW, Grégoire Aubert, who MEMORISED and delivered Judy Garland’s diary tapes, ME, and Alice Purnell, who had everyone in fits with her self depreciating humour – she even described the OBE medal she was wearing as a ‘badge’.
The photograph was taken by John McCullough, with Peter’s camera, as he pointed out to me, so obvs the camera gets top billing – well done camera, with your evil mechanical eye – where did I gain those ten years and mattress front? I’m much younger and skinnier in my mind’s eye.
and here is the text of my piece… (recorded version coming soon)
Cayce Pollard is the dashing heroine of William Gibson’s Pattern Recognition. Cayce is allergic to branding. This means that she has an unpleasant physical reaction to the sight of logos. So, she has filed the branding off the button on her jeans, and unpicked the labels. The stronger the logo, the stronger her repulsion.
Cayce, I wish that my ailments, like yours, were a kind of superpower. People pay good money to go to design school to refine and learn visual skills. But you cut through all that. You are hired, for good money, because when you see a new design you know whether it’s good or not. Not because you have training or aptitude, not even because you have “good taste” or what might be described, vaguely as an ‘eye’ – but because you are allergic. Your employers simply expose you to prospective stylings and watch for a reaction.
Cayce is a “cool hunter”. This sounds old fashioned in 2003, by the time Gibson is writing and is definitely a term with a use-by date. So why use it? The book isn’t set in the future, it’s sci fi credentials are more of a ‘what if’. Science fiction writers, have lots of rules about what ‘can’ happen in any given scenario so it’s enough to give her this ‘allergy’ and bizarre occupation and let the story roll. ‘Cool hunter’ in Gibson’s hands is a kind of linguistic branding. He’s not here to sell us cool hunting.
Like Cayce, I snip off labels, but that’s because they make me itch. Labels, washing instructions, sometimes even stitching. But it’s true, nevertheless, I don’t like to advertise a brand. And I do have a keen eye. As we all do, when we are sensitised. It can be taught, but it’s also in our genes.
It only takes a short while, for example, when picking blackberries, to not only recognize the best ones by eye, but also by touch. Those small ones may be black enough but their skin is too taut, they haven’t matured, they are going to taste bitter. They take a little more effort to pick, too, being recalcitrant to leave the vine until their incubation is complete. Very voluptuous ones come away with the softest sigh and often leak quietly onto your fingers, but although they are sweet they don’t keep at all and if you make the mistake of putting them in with the rest of that day’s pickings the whole crop becomes sticky and muddy. Best to eat them as you go along. Blackberries’ blood shows red on your fingers but wipe those fingers on your clothes at your own risk – the brackish black will stain forever, marking the tale of your feverish wipings between pickings and gobblings.
In my sick bed I listen to Pattern Recognition, the BBC’s adaptation of the novel, being read by Lorelei King. Fiction is the simplest iteration of gender reassignment – Gibson writes from a female protagonist’s POV, King reads it out – as a woman. The naturalness, to the ear is seamless, a sleight of hand. The spoken word is only one iteration from the page and it fires your aptitude for pattern recognition just as well, and the ability for you to visualise – here I am a woman, here I am a man, here I am a well person… here I am an action hero.
Karl Marx says “Every schoolboy knows” that any culture contains within itself the information for reproduction. As in the petri dish so in society. We recognize a pattern, we reproduce a pattern, we are the pattern. Spatially or over time, From ‘how to get up in the morning’ to ‘how to run a society’ from how to conform to a subculture to how to scramble eggs. From bacteria to computer programming. We recognize, we reproduce. All intelligence involves pattern recognition – from monkeys to machines.
I reproduce the conditions of being myself as I am now. What is stopping me from stepping out of this body and having another life entirely. Nothing indeed, if I step into fiction.
Early September the last gasp of blackberries struggled to the fore between their picked or rotted siblings. Only a couple of miles away, further out of London, the season was just beginning, the berries still green. The second week in September I was in Brighton, and though there were some manky berries on the vine, there were plenty of ripe ones, and some still red raw unripe. The end of the season looms, and much like the Marks and Spencers sale – a lot of dingey items you’re sure were never in the shop before hanging sadly, rail after rail, frumpy and saggy, unappealing to touch or eye.
Attuning to choosing something ‘just right’ is something even a very small child or an amateur can do very quickly, like learning to cook pasta ‘al dente’ though this is to the eye and the finger rather than to the tooth. Our bodies reproduce one skill another way – I learned to touch type – my fingers spider across the keyboard as if each one of them had an eye. I move quickly between the bushes, not like the weekend pickers, out to amass enough to bake with or freeze or share with a large family, I only want a handful a day for my porridge. I’m looking for that perfect ripeness. All the while learning to avoid the thorns and their bullying friends the nettles. But thorn and sting avoidance has less to do with pattern recognition than the picking itself does; that is to say, choosing berries. Recognizing patterns. This discernment allows us to prefer one brand over another because we are, and have been for generations, well adapted to refinement in and of itself.
Technically, pattern recognition is about any manifestation of phenomena – both in nature and in culture. Pattern recognition refers to something called ‘machine learning’ which is why it’s no leap to having your own robot secretary deciding which emails are really for you and which are spam, and which can inform your provider with tailored ads or your government about any nefarious plans you may have to take a set of tweezers onto an aeroplane. I find the Wikipedia entry on pattern recognition almost entirely unintelligible. It’s nice when a novel gives you the sensation you understand something important about a subject, I think. It feels effortless, like all good design.
Artificial Intelligence is based on pattern and recognition of pattern. Like the loom, there is only one story underneath, the one of zeros and ones.. and ALL. THIS. STUFF. comes out of it! In living colour! Incredible! Even ‘Nothing’ can’t reproduce itself without completion and with that completion comes the notion of ‘one’ and therefore ‘other’. Straight away there are two units and the basis for a pattern. As every knitter knows.
I can’t live with patterned wallpaper any more than I can bear textiles with writing on them. Even in a foreign or imaginary language, my eyes scroll over and over trying to make sense. I’m the same with repeated patterns. There’s something about the sense of demand that bothers me – less a ‘leading’ of the eye and more of an insistent repetitive tug. My brother visited China and tells me westerners often suffer headaches from their stymied search for meaning in the signage around them. Welcome to my world, you travellers – at least you’ve got a ticket home to the safety of non headache world.
My car broke down and I abandoned it. I got ill. I stopped working. I got a dog. Clothes had to change their function. No longer did I have a giant motorized handbag come winter coat which I could slip out of in heels and office clothes. Now I had three or more outings a day with dog. I got her on Christmas Eve 2009. Happily, I had already acquired a repulsive but warm ski jacket from TK MAXX. It was cheap, it was super warm. I don’t ski, but guess what? Those hyper mobile arms for the skiing are also good for throwing a ball. WIN. However, when the zip finally properly broke I was relieved to get rid of the offending garment, printed in purple and gold onto taupe, with it’s indelible mud stain from pocketing grubby balls, and went considerably upmarket with a Helly Hensen parka. It’s a nice coat, and I don’t pocket balls any more, so it’s stayed nice. What I did discover though, was that because of the initials, HH, Helly Hensen clothing is worn by neo Nazis in Germany. This worried me, because what if I visited Germany in the winter, in my coat, who’s to say I wouldn’t be read as a neo Nazi? Apart from probably having no corroborating visual clues – but what do I know, as a foreigner?
Although the point was probably irrelevant it still bothered me, and a friend suggested getting rid of the logo – which was when I realized how VERY branded this coat was. I don’t wear clothes which have their branding writ large, but this thing has it’s branding writ many. Every. Button. Counting… 1,2, only three different bits of branding on the inside of the coat, and my hands and eyes surmise 8 on the outside. 11. On. one. coat. ELEVEN. Quite subtly done, but still, I am a walking billboard for a fashion item while suffering what is known in the medical trade as an ‘invisible illness’. The juxtaposition between what is apparent and what is not is enmiserating. I wish. I had. stigmata.
On the last day of September I took the dog round the Paddock. The blackberries were almost entirely gone. There was the odd jewel high up away from the main bush, where the beads of dead fruit were desiccated, tiny and dulled. Their neighbours, the mounts from which glistening fatted fruit had been successfully plucked were similarly shriveled. Indeed, entire branches were dying back, brown leaved and frail, the sap having entirely retreated, while the non fruit-bearing branches were still vivid and green.
Having not lost the weight I’d intended to, I’d grudgingly bought a new pair of larger than I’d like trousers, the makers of which saw fit to add a small stitched label to the waistband declaring, in white embroidered letters on black “A true feeling of Authenticity”. I find myself a black felt pen and scribble the lettering out, feeling a little.. queasy.